"In My Mind a Miracle"

This morning, I was thinking about "In My Mind a Miracle," specifically the line "No longer blind, I see because of you" and realized that it may indicate a number of possible influences.

It seems to come ultimately from the account in John 9 where Jesus gives a blind man his sight.  Afterwards, the Pharisees conduct a lengthy interrogation of the man, and in verse 25, he replies, "One thing I do know, that though I was blind, now I see," which has roughly the same structure as the line in the Zombies song.

John 9:25 is also one of the sources for the lines "I once was lost but now am found, / Was blind but now I see!" in "Amazing Grace."  (The other is Luke 15:24.)

In "In My Mind a Miracle," though, this regaining of sight (probably more metaphorical) is attributed to the charms of a girl, so it's more like Muddy Waters' "She Moves Me," which seems to borrow from the John 9 account (perhaps indirectly via "Amazing Grace") in the lines "She shook her finger at a blind man / 'Once was blind but now I see.'"  I don't know if Rod Argent, who wrote "In My Mind a Miracle," was familiar with this particular song, but he was certainly a fan of Muddy Waters.  In the Zombie Heaven liner notes (p. 45), Paul Atkinson explains that the Zombies covered "I've Got My Mojo Working" because Rod "wanted to do it" (Johansen notes in Hung up on a Dream [p. 62] that the Zombies even performed "I've Got My Mojo Working" at the Herts Beat Competition).

"In My Mind a Miracle"

I listened to As Far As I Can See... yester-day and noticed a significant contrast in "In My Mind a Miracle."  At the beginning of the first verse, the organ drops out completely, and the other instruments (electric piano, guitar, bass, and drums) play with softer dynamics or fewer notes compared to what they played in the preceding chorus.  This change highlights the paucity in the lyrics there:  "When I was young, I didn't notice much."

"In My Mind a Miracle"

When I listened to all of the Zombies albums last week, I also noticed a small thing in "In My Mind a Miracle."  The melody for the line "Suffered such a fall from grace" falls a sixth, musically illustrating that "fall."  "Suffered such a fall" is all sung to G notes; "from grace" to Bb notes.

Live at the Bloomsbury Theatre, London

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Collection Audit:

To-day I listened to Colin Blunstone & Rod Argent's Live at the Bloomsbury Theatre, London, and I noticed a couple things. 

"In My Mind a Miracle"

This is the first track on As Far As I Can See (which was the first album for which Blunstone and Argent used the Zombies moniker again).  I'd previously noticed the importance of sight in the lyrics, with lines like "No longer blind, I see because of you" and the hint at the classical blind seer, like Tiresias, (and the Zombies' Odessey and Oracle) with "In you I found my Odyssey and Oracle" (in the liner notes, they've finally fixed the spelling).  I'd noticed all of those visual things, but I'd neglected to notice the Latin root of "retrospect" in the line "The things that I've done in / Retrospect have caused me pain."  In Latin, spectare is the verb to look at. 

"Hold Your Head Up"

This is something that should have been obvious, but in the "Hold your head up" chant after the organ solo, "Hold your head" is all sung to one note (a D), but the "up" is sung to a higher note (an F), so there's an ascent in the music and the lyrics.  This feature is also in Argent's original (from All Together Now).

I noticed a couple things about Live at the Bloomsbury Theatre, London when I listened to it for my Collection Audit project.  I have a few more things, but I'm going to put those in a separate post to keep the tags a bit neater.

"Shine on Sunshine"

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According to Russo's Collector's Guide, Argent's Circus came out to-day in 1975.  I listened to it and worked on transcribing the lyrics, but I found only one thing to say about it.

There's an-other instance of Rod Argent's gray image in the first chorus of "Shine on Sunshine":

So shine on, sunshine
Paint my life of gray
So shine on, sunshine
Warm my life away

Ostensibly, this builds on similar lines in "Imagine the Swan" ("For the colors are gone / You've become kind of gray") and "In My Mind a Miracle" from As Far As I Can See: "You turned me 'round / And made the colors true."

In the BBC MasterTapes interviews, Argent mentioned that part of Odessey and Oracle was about color.  The first time I listened to that, I thought he was talking about literal color, like in the song lyrics (although I never actually looked to see if there are any), but in referencing it awhile ago, I heard that part again and started wondering if he was talking about instrumental color (like timbre).  One or both of those might have some connection here.

I also referenced the version of "Shine on Sunshine" that's on Breathe Out, Breathe In, and I discovered that those lines aren't present (I haven't gotten around to transcribing them, but the lyrics are in the liner notes).  Each iteration of the chorus is virtually the same:

Shine on sunshine
Chase the clouds away
Shine on sunshine
Into my life each day

The last repetition has a slightly different last line: "Into my life always."

EDIT: It belatedly occurs to me that - duh! - "Shine on Sunshine" predates "In My Mind a Miracle."  Even though I had the chronology wrong, the images are still similar.

As Far as I Can See

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This morning, I listened to As Far as I Can See because - according to Russo's Collector's Guide - it was released to-day in 2004.  And - inevitably! - I noticed some things.  I worked on transcribing the lyrics although I later remembered that they're in the liner notes, which is helpful because I'd thought "black orchids" was "black rockets."

Because I just listened to "Imagine the Swan," I want to believe that the line "Made the colors true" in "In My Mind a Miracle" is a reference to the colors and their fading in "Imagine the Swan" ("For the colors are gone").  But more on that later.

There's the really obvious Odessey and Oracle reference in the line "In you I found my Odyssey and Oracle" (odyssey is spelt correctly in the liner notes), but more interesting is the following line: "No longer blind, I see because of you."  The blindness is linked with the oracle.  Traditionally, seers and prophets were often physically blind in a sort of exchange for their ability to see the future.  (I say "traditionally," but the only one I can think of is Tiresias.)

For years now, I've wondered if "I tried my best, but I could not cope / From the end of a telescope" in "Southside of the Street" is a reference to "Telescope (Mr. Galileo)" from Into the Afterlife.

"I Want to Fly" is interesting in that there's an internal mosaic rhyme that's dependent on a caesura:  "Some lay sleeping / Deep inside a lullaby"  The way Colin Blunstone articulates this, there's a pause after the "in" of "inside," so that "sleeping" rhymes with "deep in."

There's also mosaic rhyme in "As Far as I Can See" in the lines "From a blue horizon / That I keep my eyes on."  I haven't looked into the lyrics as much as I'd like to, but I don't remember any instances of mosaic rhyme in the "classic Zombie" catalogue (from 1964 to 1967-ish), so I felt it a technique worth noting here.

"As Far as I Can See" also seems to have a reference to home:

There's a safe house waiting
That I know is waiting
Some way down the line.

It's not called a "home," but the same idea is still presented.  Rhyming "waiting" with "waiting" further emphasizes the safety.

There are more typical Zombies themes in "With You Not Here."  There's crying in the lines "No feeling left beyond the tears" and "Don't know where I go from here / 'Cause there's really nothing clear / Beyond the tears," and there's dreaming in "There's only an empty space / Where once we crowded our hopes / And shared all our dreams."

More interesting than those though are the lines "The color's faded now / The world is grey."  This is a stronger allusion to the lines in "Imagine the Swan" – "For the colors are gone / You've become kind of grey," but even if that's just a coincidence, there's still the connection between those lines in "With You Not Here" and the line "You turned me round and made the colors true" in "In My Mind a Miracle."  So regardless whether there's the connection between eras of the Zombies catalogue, there is a connection within this album itself.

"Wings against the Sun" also has some elements that I think are references to past Zombies songs.  The first two lines are "In your eyes appear the mystic roses of spring / Inspiring songs of approaching summer," which I think includes two references: "A Rose for Emily" (which also mentions summer) and - because of the resemblance between "mystic" and "misty" - "Misty Roses" from Colin Blunstone's One Year album.  The word mist is in the preceding song "With You Not Here," which I think provides a shred more evidence that they were thinking about past songs while they were writing these.  The "Odyssey and Oracle" in "In My Mind a Miracle" certainly testifies to it.

In listening to "Together," I found an-other one of those sneaky historical references - one that had gone over my head for the six years I've owned this album.  I'm fairly certain that the last part of the couplet "And I've come to need you like flowers need the rain / Have to love you as much as seasons have to change in time" is a reference to "Time of the Season."  (Incidentally "I've come to need you like flowers need the rain" strongly resembles "I need you / Like the flower needs the rain" from America's "I Need You.")

"Golden days" from "Look for a Better Way" also appears in "Beechwood Park," but because it's not such a distinctive phrase, I'm not sure if this is a reference or just a coincidence that illustrates how consistent the Zombies' writing has been (despite the fact that "Beechwood Park" is a Chris White song and "Look for a Better Way" a Rod Argent song, although Chris White does contribute backing vocals for it).

In looking through the liner notes to confirm the lyrics I've quoted, I also discovered that Andrew Powell helped with scoring the orchestral arrangements.  I'm fairly certain this is the same Andrew Powell who arranged and conducted the orchestra for all of the Alan Parsons Project albums (excepting Vulture Culture).