Last night, I was thinking about "Hung up on a Dream," and I realized that the line "And turned me on to sounds unheard" bears some resemblance to part of John Keats' "Ode on a Grecian Urn": "Heard melodies are sweet, but those unheard / Are sweeter; therefore, ye soft pipes, play on." Both comment on "unheard" sounds.
In Claes Johansen's Hung up on a Dream, Argent says that Shakespeare's "language spoke to me; it had an indefinable, spiritual quality." This line in "Hung up on a Dream" may be an instance of Keats' language eliciting a similar response, or it could just be a coincidence.